Join us for a book talk with Maya Boutaghou, who will be speaking about her new book, White Tongue, Brown Skin: The Colonized Woman and Language. This in-person event will be free and open to the public. We recommend arriving early for the best seating.
About the Book: What does it mean to be an heir, as a woman writer, to colonial and postcolonial cultures in which European language has become so thoroughly ingrained? Examining women writers from India (Toru Dutt), Egypt (Mayy Ziyadah), Algeria (Assia Djebar), and Mauritius (Ananda Devi), White Tongue, Brown Skin sheds light on the essential double nature of the colonial experience.
Maya Boutaghou’s latest book—her first in English—treats colonialism as analogous to a disease, manifesting itself in symptoms of multilingualism and cultural pluralism. Boutaghou shows how violently imposed multilingualism engenders in the mind of the colonized subject a state of permanent self-translation between two or more languages with unequal political and emotional power. They must endure a plural perception of the self, defined by the restless movement of self-translation, which becomes reflected in a literary dynamic frequently overlooked or misunderstood by previous scholarship.
Although the object is philosophical, this book is also deeply rooted in history. Understanding postcolonialism from below, as Boutaghou demonstrates, starts with an approach based on close readings in specific historical contexts.
About the Author: Maya Boutaghou is an associate professor of French at the University of Virginia. She is the author of two books in French and coeditor of several journal special issues, including Cultural Dynamics: The Minor in Question (2020).
White Tongue, Brown Skin will officially be released on November 12. Event attendees will have a special opportunity to purchase the book as an early release during the event only on November 9. To order the book, please see below for the New Dominion Bookshop book order form or call the shop at 434-295-2552.
"A substantial and highly original book. The concentration in this study on translation, multilingualism, and cosmopolitanism in colonial and postcolonial contexts is particularly striking in its attention to the implications for women who express themselves in writing."
—Alison Rice
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